Free Ebook Slightly Out of Focus (Modern Library)
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Slightly Out of Focus (Modern Library)
Free Ebook Slightly Out of Focus (Modern Library)
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Amazon.com Review
Robert Capa, the great photojournalist who is perhaps best known for his searing images of WWII, infused his autobiography with the same brio and warmth that he expressed in his now classic photographs. "Victory was pleasant and exhausting," the Hungarian-born American notes after the Allies' capture of Tunisia. "During the day in the streets ... we were kissed by hundreds of old women.... We had enough liquor from a captured Gestapo warehouse to keep our singing throats from drying out." Always on the frontlines (he was killed in 1954 in what would later become known as the Vietnam War), Capa went ahead with the parachute invasion of Sicily even though he had been fired from Colliers Weekly--flying in with a squadron of young soldiers he refers to as "boys." When Capa's turn came to jump, he forgot to count "one thousand, two thousand, three thousand" before pulling his cord, instead murmuring, "Fired photographer jumps." "I felt a jerk on my shoulder and my chute was open. 'Fired photographer floats,' I said happily to myself." Stuck dangling in a tree all night, he didn't dare call out for help. "With my Hungarian accent, I stood an equal chance of being shot by either side." Writing or clicking the shutter, Capa was the perfect conduit for his time, with the war's almost casual heroism, palpable danger, and the importance of every moment of life--whether lying in a foxhole or shopping in London at Dunhill's for a silver flask. Slightly Out of Focus is dotted with his pictures, including the most famous ones of the D day invasion. "I am a gambler," Capa writes. "I decided to go in with Company E in the first wave." Capa's priceless, self-deprecating text tells much, and his photographs show the rest: how thin the Europeans were in Italy, France, and Germany, for example, trim as saplings from years of deprivation. And then there's Capa's famous series showing the plump Frenchwoman, a German collaborator, marked for shame by her shaved head, hurrying past her taunting neighbors, all of whom are gaunt by comparison. This is a war book, of course, but it will transfix documentary photographers. And this Modern Library edition, which links Capa with such great writers as Ernest Hemingway (whom he photographed wounded), confers suitable honor on his earthy genius. --Peggy Moorman
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From Library Journal
Renowned photograher Capa first published this memoir in 1947, recalling his time covering World War II between 1942 and 1945. His firsthand reminiscences are buttressed with his signature photographs. Copyright 1999 Reed Business Information, Inc.
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Product details
Series: Modern Library
Hardcover: 272 pages
Publisher: Modern Library (September 21, 1999)
Language: English
ISBN-10: 067960328X
ISBN-13: 978-0679603283
Product Dimensions:
5.5 x 1 x 8.2 inches
Shipping Weight: 13.6 ounces
Average Customer Review:
4.6 out of 5 stars
49 customer reviews
Amazon Best Sellers Rank:
#1,208,509 in Books (See Top 100 in Books)
Slightly Out of Focus is the memoir of war photographer Robert Capa (1913-1954) from 1942 to 1945 on his work for Collier’s and Life magazines during World War II. He writes of his work in London, Algiers, Tunis, Sicily, and Naples in 1943; London, Normandy, Cherbourg, and Paris in 1944; and Germany in 1945.With simple and direct language, Capa writes of his relationship with Ernest Hemingway, soldiers, nurses, and other war photographers. Most poignant are the excerpts about Omaha Beach during the D-Day landings. Much of the book – and its focus – is the selection of Robert Capa’s black-and-white photographs. Capa has been called ‘the century’s greatest battlefied photographer’ so his writing is secondary, but just as interesting. Although anyone who is a Robert Capa fan has probably seen most of the photographs before, having the background behind the photographs makes them more fascinating. The saying, ‘behind every photogragh is a story’ is true in this case, making Capa a delight to read.
A fascinating autobiography of one of the best photojournalists of the 20th century. Robert Capa was a gutsy guy who would go anywhere and do anything for a good photo, including jumping untrained with airborne troops invading Sicily in World War II. As dashing as he was, he proved surprisingly vulnerable when it came to women. The loss of most of his D-Day photos is one of the great tragedies of photojournalism. If you have an interest in history and/or photojournalism, this is a must-read book.
Having read so many books on WWII, it was a shock how much I enjoyed this. It's so engaging because it's a masterpiece of self-deprecating humor that masks a depth of sadness about the war. I could not stop reading it and finished it in three hours or so. So well worth the read.
i saved this book to read on the plane, since it's pretty slim. it's praised more for the famous pictures, i think, than the text. i liked it a lot. it's the story of a really interesting time and place, and he doesn't want to let the reader down by making anything sound boring. some passages are dated or awkward, but mostly he reminds me of a character in an i.b. singer book: an adventurer and also a bit of a [...].he talks about the fog of war: he dared not ask for help from the soldiers he was with, because they couldn't see him in the dark or in the smoke, and with his heavy accent they were bound to mistake him for the enemy.this memoir covers a pretty finite period of time in a very short life. (capa had a love affair with ingrid bergman, and this was the inspiration for the film 'rear window.') he started out as a journalist, and he's a good writer and story-teller as i said. you probably won't want to put the book down, but when you're finished you'll hold onto it for the sake of the photographs. i don't care about war history or photography particularly; my favorite pic is the one OF him at the front of the book--drunk and happy, in a tux.
Not a great book, but worth reading. I remember many of Capa's photos and his work for Life magazine. Too bad he did not get the girl, but I am sure he found many more.
Reading it was long overdue as I studied at Cornell's ICP in New York. As I plan a trip to Omaha beach it was now or never. Capa's account was a must. He writes with wit, dry humor and of booze, bullits and bravado. Papa probably had some influence as well. The easy and entertaining dtyle make sometimes easy to forget that it is much about LIFE and death.
It has been written that Capa intended the work as a film script, and it reads that way...but then, Capa never pretended to be a reporter, the work is his version of what happened, and if aspects are embellished, that's the way he intended it, most biographers state he was fairly lose with the truth and was prone to embellishing aspects of his work.
Capa would have turned 100 last year and this is his only book! he died in Indochine (1954) after stepping on a landmine - he was covering the war! To this day he is still regarded as the best war photographer of all times! He covered politics in Germany, Trotsky in Finland, the Spanish Civil War (where he lost his dear love Gerda Taro - writer/photographer killed by a War Tank that ran over her) and WWII!This autobiographical book was supposed to be the plot of a movie made in Hollywood. It is just a great book about some of his best pictures.
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