Ebook JavaScript: The Definitive Guide: Activate Your Web Pages (Definitive Guides), by David Flanagan

Ebook JavaScript: The Definitive Guide: Activate Your Web Pages (Definitive Guides), by David Flanagan

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JavaScript: The Definitive Guide: Activate Your Web Pages (Definitive Guides), by David Flanagan

Ebook JavaScript: The Definitive Guide: Activate Your Web Pages (Definitive Guides), by David Flanagan

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Book Description

Activate Your Web Pages

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From the Author

My 10 Favorite Examples from this Book The 6th edition of JavaScript: The Definitive Guide includes 125 examples that you can view and download from from examples.oreilly.com/9780596805531/ or from github.com/davidflanagan/javascript6_examples These are ten of my favorites from the book. Note that many of these use new features of ES5 or of HTML5, and will only work in the newest browsers: 1) Example 1-1 is is an extended example in the first chapter of the book, intended to show readers a simple but non-trivial example of JavaScript. This is the loan calculator example from the last edition, but made much more interesting with the addition of client-side graphics, localStorage, and Ajax. 2) Example 9-7 emulates Java-style enumerated types in JavaScript. It demonstrates that JavaScript's prototype-based inheritance is so flexible that factory methods can be normal object factories or even class factories. That example is a little clearer if you look at the code in Example 9-8. 3) Example 9-16 defines a class hierarchy of abstract and concrete Set classes. This one is a favorite because it involves data types and API design. Chapter 9 includes a number of other Set examples, too. 4) Example 9-23 demonstrates the ES5 Object.defineProperty() method and defines a convenient way to inspect and modify the attributes of the properties of an object. It may not be practical, but I think it is a beautiful hack. 5) Example 15-10 is a simple stream-like API wrapped around the innerHTML property of an element. When you're generating text (a table, for example) for display it is sometimes easier to pass each chunk that you compute to a write() method than it is to concatenate it all together and set it on innerHTML. 6) Example 21-03 is an analog clock implemented as an SVG graphic with scriptable hands. I love client-side graphics, and this is a favorite of mine because making the hands rotate is so simple with SVG transforms. 7) Example 21-06 draws a fractal Koch snowflake using the tag. I like it because it draws the same line over and over again, but uses transformations to make the line appear at different locations, orientations and sizes. 8) Example 21-13 is another graphical example: it draws sparklines (edwardtufte.com/bboard/q-and-a-fetch-msg?msg_id=0001OR). This one is a favorite just because sparklines are so cool. 9) Example 22-1 uses the HTML5 geolocation API to find out where you are then uses the Google Maps API to obtain a static map of your location. I like it because geolocation (via wifi networks) is just pure magic! 10) Example 22-15 is a long example that demonstrates the IndexedDB API. I like it because the idea of a client-side database in a web browser is crazy and cool. This one is really cutting-edge, but if you're running Firefox 4, you can try it out here: davidflanagan.com/demos/zipcodes.html

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Product details

Series: Definitive Guides

Paperback: 1096 pages

Publisher: O'Reilly Media; 6th edition (May 13, 2011)

Language: English

ISBN-10: 0596805527

ISBN-13: 978-0596805524

Product Dimensions:

7 x 2.4 x 9.2 inches

Shipping Weight: 3.8 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

195 customer reviews

Amazon Best Sellers Rank:

#24,251 in Books (See Top 100 in Books)

This is a good Javascript book for ES5. However, ES5 is years out of date. ES6 is from 2015. This book was written back in 2011. A lot has changed in the Javascript world since then. Just one example. This book was written before promises.The author is a good writer, perhaps even a great writer. In addition, the author certainly knows JavaScript quite well. However, I am writing this review in 2018. The book reflects the state of the art in 2011. A lot has changed in the JavaScript world since 2011. Of course, ES6 (or later) is now the standard. However, JavaScript frameworks have come to dominate the JavaScript world. The author does provide some information about jQuery. However, even the jQuery information is from 2011. These days, React, Boostrap, Ember, Vue, Angular, etc. are highly influential.If the author, published a new version of this book, updated to ES6/7/8 and with more information about JavaScript frameworks, I would recommend it. At this point I can not recommend a book from 2011.

I simply wanted to say how much David's book has meant to my learning and understanding of Javascript, and programming in general. I had initially tried learning through many free sources online, and while most were very good in tackling specific issues or illustrating solutions to esoteric problems, none gave me the confidence that I was getting a solid foundation in the language, or programming in general.In search of something better, I looked to stackoverflow which constantly recommended David's book. To be honest, I pirated it first. But after the first 3 chapters I went straight to Amazon and bought it, as well as Javascript Patters from Stoyan and Douglas's Crockford book Javascript: the good parts (another big hit on the stackoverflow forums). I was dumbfounded at how easy and clear his book made the language. For the first time, ideas were presented in a logical order, with concepts obviously introduced to build on previous ones. Concepts I've been told are essential (hoisting, closures, etc) but were intimidating because I'd never seen them in a cohesive narrative, shocked me in how intuitive they actually were when written well and paired with succinct examples.I know this all seems overzealous enough to border on the insincere, but for someone who always had a passion for technology and wanted to create his own, but was beginning to be deterred from it all because I thought it was simply above my grasp, I want to say thank you to David and O'Reilly.They very may well have single-handedly created a new developer, and have dramatically changed my life in the process.Thanks again.

I've been a professional web developer for 18 years and have always read every JavaScript book, blog, post and ebook I could find. A junior web developer on staff asked me if I could recommend a good JavaScript book. I recommended Maintainable JavaScript by Nicholas Zakas, JavaScript Patterns by Stoyan Stefanov and this David Flanagan gem as the first priority and gave it as a welcome aboard gift. I don't care how good at Googling JavaScript questions you are, if you read this book cover to cover, you'll keep thinking, "I didn't know you could do that!" I highly recommend it to web devs of any level.

I am very familiar with O'Reilly books and have quite an extensive collection. So I have gotten used to the general writing style and layout of most of their books despite almost every book being written by a different author.This book however, despite on the back stating "Prior Programming Experience Recommended", proceeds for most of the book explaining things that someone with prior experience should already know. Also, if you plan on reading this book in a linear fashion to learn JS and avoid missing something by skipping around in the book, you might get very frustrated like I did.The author explains subjects and gives examples and then many times right afterwards says something similar to "This example contains code or functions that will be explained in a later section."Also, many people will be buying this guide to do Client-Side JS...ie. in a browser on a webpage. This book doesn't get to that until almost halfway through the book...like 300 pages.Despite these flaws, the book is EXTREMELY comprehensive. Certainly something to keep on your desk or readily handy if you program in JS often.

If you want to learn JavaScript from the ground up, and have a solid foundation, this is the book.JavaScript: The Good Parts is ok, and Effective JavaScript is quite good too, but for a good foundation of JS, I'd still read this book first.

This book didn't teach me the power of JavaScript closures , its functional idiom nor did it demystify the elusive "THIS" object. But there's something that makes it very close to my heart. Like Peter, I was washing my fishing net, ready to quit JavaScript for good when a simple statement in chapter 13 turned things around: I did not know where to embed DOM- manipulating scripts in a web page. I usually mistakenly placed them inside the head tag, so they always misfired before the document was ready. Don't laugh, this was the greatest speed bump I experienced in JS. Now, I can place my program anywhere in the page. Many will agree with me that chapter 15 is the holy of hollies in this book. Master it and you can query any node in the page, inject and delete nodes on the fly. And that is javascript's destiny. Here and there, the author draws attention to how to write cross-browser codes, skill that is a matter of life or death in production. For reference, this is arguably the JavaScript book you will consult first before heading to the stackoverflow. As dynamic as javascript's evolution is, the author keeps good record of its reincarnations, birthmarks and scars inflicted by the holy wars among browsers.

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Download Ebook Learning to Look: A Handbook for the Visual Arts (Phoenix Books)

Download Ebook Learning to Look: A Handbook for the Visual Arts (Phoenix Books)

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Learning to Look: A Handbook for the Visual Arts (Phoenix Books)

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About the Author

Joshua C. Taylor is director of the National Museum of American Art at the Smithsonian Institution.

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Product details

Series: Phoenix Books

Paperback: 165 pages

Publisher: University Of Chicago Press; 2 edition (June 15, 1981)

Language: English

ISBN-10: 0226791548

ISBN-13: 978-0226791548

Product Dimensions:

6 x 0.5 x 9 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#311,689 in Books (See Top 100 in Books)

Fantastic for beginners to the visual arts. If you have a trained eye - as in, you were explained this in art school about how to look through viewfinders, how to think about contours and forms - then don't buy it, you already know this. I bought it for a class and didn't even have to read it b it was so basic. But yeah, beginners, buy away. It's a real introduction into sight and doesn't give you the cheap and easy route to art, aka drawing circles and and building up, but a real understanding.

Everything about the book was wonderful and because of this book I know a little about art.

Very condensed, dry, technical and not well organized. It didn't help me much to broaden my horizons. However, the comparison of the two crucifictions was interesting and I wish there was more of that.

I love it

The book came as it was described on the description post. Great deal and thank you. Will be doing business w/this seller again, if they have what I need. Shipping was great as Labor Day Holiday was here...and still the book came. Thanks and awesome seller....as the seller didn't...Fib! Great price also...!!!!!!

Interesting, accesible and ultimately enlightening but inclined also to be dry in an "Idiot's guide" kind of way, this renders the topic a little lack lustre which for me detracts from the point of veiwing art and getting any kind of personal, emotional experience from it. Excellent for making art accesible nonetheless and demystifying the nonsense that art glitterarty types surround the topic in so needlessly and prentiontiously.

Great read for artists. Good on information about the way you look at an art piece.

I found this book to present a good introduction to understanding the visual arts. It covers painting, drawing, sculpture, printmaking, and architecture. In regard to these it addresses materials, techniques and theoretical aspects. This covers a great deal of territory so in 158 pages it is necessarily a very cursory presentation. The techniques and materials sections are dry, but that is the nature of the subject. It would take a real poet to make the preparation of etching plates exciting to read about, but that is usually not what is called for. The parts of the book I found most interesting were the more theoretical, analytical and philosophical ones. It begins with analyzing works, focusing on the immediate experience of seeing them - understanding what the experience is and how the work creates this experience. This covers formal(aesthetic)considerations and content(subject)of the works. There is an interesting section about the way artists think - how they are influenced by other artists and society at large and by their own circumstances and how their personal character is reflected in their work. There is also a section "The Eye and the Mind" about the relationship between the observed perceptions and the mental concepts of the artist and the many, often paradoxical, ways these have been made manifest in the works.Unlike many books dealing with art theory this one is not dogmatic and there are ample images to illustrate the points being made. Two things that make this a rather unusual and pleasant art book.

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Download The Sense of Newport

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The Sense of Newport

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Product details

Paperback: 32 pages

Publisher: CreateSpace Independent Publishing Platform (June 14, 2013)

Language: English

ISBN-10: 1490453784

ISBN-13: 978-1490453781

Product Dimensions:

6.7 x 0.1 x 9.6 inches

Shipping Weight: 3.8 ounces (View shipping rates and policies)

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Amazon Best Sellers Rank:

#5,068,651 in Books (See Top 100 in Books)

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Ebook Free The Wretched of the Earth (The Macat Library)

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About the Author

Riley Quinn holds master’s degrees in Politics and International Relations from both LSE and the University of Oxford.

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Product details

Series: The Macat Library

Paperback: 100 pages

Publisher: Macat; 1 edition (July 22, 2017)

Language: English

ISBN-10: 9781912128532

ISBN-13: 978-1912128532

ASIN: 1912128535

Product Dimensions:

5.1 x 0.2 x 7.8 inches

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Free Download , by Brenda Novak

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File Size: 1070 KB

Print Length: 368 pages

Publisher: MIRA; Original ed. edition (December 4, 2018)

Publication Date: December 4, 2018

Sold by: Harlequin Digital Sales Corp.

Language: English

ASIN: B077YQNSCK

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FINAL DECISION: A good romantic suspense. I enjoyed the combination of the relationship with the suspense/mystery. I really loved Micah (who is a sweetie) and eventually understood Sloan although I didn't like her actions which seemed reckless and not well thought out at times.THE STORY: Sloan McBride fled her hometown a decade ago to free herself from her oppressive father. Now she has returned to find out what happened to her mother who disappeared when she was five. Sloan, however, not only has to face the questions from her parents' past, but also what she left behind when she left. She had abandoned her best friend and her boyfriend, Micah Evans who turned to one another, married, had a child and divorced. Sloan's return brings complications in these relationships as well.OPINION: This was an enjoyable romantic suspense. The scariness factor isn't too high and there is plenty of romance. Indeed, while the mystery is central to the plot of the book, I enjoyed the second chance at romance the best.Sloan is completely determined and that makes her reckless at times. She annoyed me at her willingness to do stupid things and keep telling people what is going on when there were people who could betray her. That being said, her character was interesting because of her flaws. I liked that her recklessness and impulsiveness is something that is consistent about her character.Now Micah I adored. He is incredibly kind and responsible and if I have a complaint it is that he forgives Sloan very quickly for her abandoning him a decade ago. I just didn't buy her reasons for not contacting him at all and it seemed pretty cruel.I thought that the book described well the difficulties of the relationship between Sloan, Micah and Paige (Sloan's best friend and Micah's ex wife). I liked that the characters had complexity and good and bad traits.I didn't enjoy this book as much as the Evelyn Talbot books which I found to be a much more suspenseful story, but this one was a good read.WORTH MENTIONING: I liked that there was an epilogue that wrapped up the story.CONNECTED BOOKS: BEFORE WE WERE STRANGERS is a standalone.STAR RATING: I give this book 4 stars.

This is one for the heartstrings. A 'hated interloper' to her adopted family, through no fault of her own and a hated daughter in her real family, one wonders how she was able to persevere, but she did. Brenda Novak 's prose paints vivid pictures of what she went through. Add a family death twenty years ago that may be connected even further back makes for a nail biting, but rousing story.

A riveting, deeply entrenching read! I was hooked immediately! We get to know Sloane little by little before she reveals why she is returning home after all these years and what's she's hoping to find there. The story takes many unexpected turns, and even when you think you know what happened, you will be shocked once again. Really great book filled with richly built characters, in depth development of past events and a captivating delve into the current life spinning on it's axle around her. Loved it!Model Sloane McBride might have left home to head to the bright lights of New York a decade ago, but some parts of Millcreek would never leave her mind. Like the memories and dreams that continue to haunt her. She's not so sure she wants to know the answers, but the churning fear in her gut won't be silenced any longer. She has to find out what happened to her mother that night. She might have only been five years old, but she remembers things. Voices, fighting, things that were said, a loud thump, then silence ... and the next morning Mom was gone ... forever.The return to town is just as volatile as she expects. Her high school best friend is trying to act like no time has passed, her ex-boyfriend still holds an obvious grudge for her leaving, her father tries to run her out of town before she even gets there, and her brother is making it clear he has no wish to dredge up the past alongside her. It seems like everyone is against her ... but she's determined to bring her mother peace once and for all, regardless of the danger that starts to swirl!

Spoiler alert: Do not start this book at night before bed…Model Sloane McBride is about to lose her best friend and manager, Clyde; for 14 months he has suffered from bladder cancer and Sloane has been right there by his side. Sloane has grown since first coming to New York and meeting Clyde and while his family has never helped him they are right there when he dies and the will is read. Sloane has been remembered by Clyde and with her new strength she decides to return to her hometown to investigate her mother’s disappearance when she was five years old. Ed McBride, Sloane’s father is the town Mayor and running for re-election and doesn’t want Sloane in town raising questions of her mother’s disappearance. The official story from Ed is they were fighting and she left, walked away from the Texas town, leaving behind her cell phone, money and her children. Randy her older brother was sleeping overnight at a friend’s house so he didn’t witness the argument and he has always been on his father’s shirttail. So when Sloane does return to town and her best friend Paige Patterson Evans insists she stay with her, things become complicated. Sloane and Micah Evans were high school sweethearts; when Sloane left Texas right after graduation, Micah was heartbroken and Paige was there to comfort him. When Paige became pregnant Micah married her, but his heart belongs to Sloane and Paige is out to hurt Sloane. As the story develops you question if Ed did something to his wife or was it all in the mind of a five year old child.

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Get Free Ebook The Bride & the Exorcist Knight Vol. 3

Get Free Ebook The Bride & the Exorcist Knight Vol. 3

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The Bride & the Exorcist Knight Vol. 3

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About the Author

Keiko Ishihara is a Japanese manga artist best known for her series The Bride & the Exorcist Knight and The Heiress and the Chauffeur.

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Product details

Series: The Bride & the Exorcist Knight (Book 3)

Paperback: 180 pages

Publisher: Seven Seas (March 12, 2019)

Language: English

ISBN-10: 1642750085

ISBN-13: 978-1642750089

Product Dimensions:

5.1 x 1 x 7.4 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#503,922 in Books (See Top 100 in Books)

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PDF Download Berlin Book Two: City of Smoke (Bk. 2), by Jason Lutes

PDF Download Berlin Book Two: City of Smoke (Bk. 2), by Jason Lutes

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Review

“A comic of impressive scope, taking place in Weimar Berlin and touching on the issues of politics, aesthestics and technology in that cultural ground zero.” ―San Francisco Chronicle on Berlin Book One“[Berlin] will be the longest, most sophisticated work of historical fiction in the medium. Lutes has a natural, clean, European drawing style, much like Hergé's Tintin . . . This book has the density of the best novels.” ―Time on Berlin Book One

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About the Author

Born in 1967, JASON LUTES is an American cartoonist whose work includes the ongoing Berlin trilogy, and the graphic novel Jar of Fools.

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Product details

Series: Berlin (Book 2)

Paperback: 200 pages

Publisher: Drawn and Quarterly; 1St Edition edition (September 16, 2008)

Language: English

ISBN-10: 9781897299531

ISBN-13: 978-1897299531

ASIN: 1897299532

Product Dimensions:

7.6 x 0.6 x 10 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

15 customer reviews

Amazon Best Sellers Rank:

#402,288 in Books (See Top 100 in Books)

An extremely interesting comic of an extremely interesting era.I'm fascinated with the use of comics for historical fiction because the addition of visuals can do so much towards giving us the flavor of an era, something that's hard to hold in our minds since our own era is so different. It's has the maturity of a novel, but with the added dimension of visuals, and I'm hungry for exactly that type of comic (something you find often in Japan but that is all too rare in this country).I don't know where the story is (or, stories are) going, but I hope Lutes finishes it. (With its leisurely pace, I'm not sure anyone has that much stamina.) This is one of the few comics in this country that are truly written for adults, without the escapes of fantasy or superheroes or the like. It's ordinary adult life and it's fascinating.

Picking up immeadiately following the May Day, 1929 demonstrations, Jason Lutes continues his story of journalist Kurt Severing and student Marthe Muller in the waning days of the Weimar Republic. As with in Berlin: City of Stones: Book One (Part 1), the voices of other Berliners weave in and out of the narrative - including a sub-plot involving some American jazz musicians that I partiuclarly enjoyed.The story is bitter-sweet, not only in terms of the relationshipe between Kurt and Marthe, but for the city of Berlin itself. Again Lutes creates both a sympathetic view of Berlin in the late 20s and early 30s (as one character puts it, "Its a madhouse - things are on the verge of collapse! Can't any of you feel it? The air is thick with imminent disaster, and we spend our time doodling the days away like children") showing how Germany's post-war republic gradually dissolved into a fascist dictatorship.A closer read shows a real appreciation for the city - from the slang (referring to police as "Bulls" - slang that is not as benign as "cop" nor as acidic as "pig" - but somewhere in the middle) to depicitions of the city - especially the neighborhood Wedding (referred to as "Red Wedding" for its strong working-class feel) to bits of dialoge about the Spree or a scene of the Seigelsaule. Clearly Lutes knows his stuff.While graphic novels may not be to everyone's taste, I would without hesitation recommend this book to anyone given its strengths.

I've eagerly awaited the appearance of Jason Lute second volume of Berlin. Now that it's appeared, I realize that it was well worth waiting for. But it also seems to me that there's a bit of a decline in the meticulous craftsmanship that characterized the first volume.The story line continues in expected ways from an historical perspective, but in quite unexpected ways from the perspective of the characters. The most searing change is in the relationship between Kurt Severing, the increasingly disillusioned pacifist, leftist, and political journalist, and his young love Marthe Muller, whom he introduces to the cultural life of Berlin.What happens to Marthe and Kurt seems to parallel what's happening to the Weimar Republic in general: things fall apart. Much of City of Smoke follows the breakdown of the Republic: the increasing violence between fascists and communists, the virulence of anti-Semitism, the suppression of intellectuals. Jazz, lesbianism, homosexuality, and a general sense of fin de siecle are some of the themes that Lutes explores.Two shortcomings, while not at all fatal to Lutes' project, make the second volume of Berlin less wonderful than the first. At times, in order to add some historical detail to his story, Lutes becomes overly didactic (especially pp. 120-124). A weightier problem is the occasional sloppiness with which the panels are drawn. The artistry in Berlin, City of Stones was breathtaking. Here, occasionally, it seems cartoonish--for example, Lutes draws conventionally cartoonish clouds of anger above characters' heads instead of letting the anger showing on their faces tell the story (see, for instance, bottom panel on p. 173). In other places, the drawing lacks perspective and strikes one as preliminary sketches that were never completed (see, for example, the panels on p. 35).Still, Jason Lutes' is creating a masterwork with his Berlin saga, and I now await the third volume as eagerly as I did the second.

Jason Lutes takes us on a wild and seemingly dreamlike story of Berlin going mad. The development of the characters of Marthe Muller and Kurt Severing goes on a severe roller coaster ride as is indicative of the political times in this Prussian Capital. The development of the various subplots, with the Communists and the Jewish family, play out a rather chaotic display of emotions and political thought. Also Lutes introduces American Negros into the cabaret lifestyle which ran rampant in the Pre-Nazi Berlin. Jazz, liquor and cocaine along with a decadent Teutonic advent guard populace were common mainstays in the "City built on a Marsh". The Author develops a flowing and quick prose along with a grand black and white depiction of a Berlin heading into the abyss of Nazism. Although this graphic novel is fiction, the very basis is historically accurate. Mr. Lutes is to be commended! Six Stars!! No Problem!!!

A terrific graphic novel!

Thank you!

:) :) :)

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